1,288 Royalty-Free Audio Tracks for "5 Equal Temperament Intervals"

*Two-hundred-fifty-third subharmonic on C = D↓♭-. Just: 256/253 = 20.41 cents. Limit: 23-limit. MIDI pitch bend: 67,70

Sum and difference tones of A220 and unison, just perfect fifth, and octave. Note that this is not produced through ring modulation of two notes, but is four separate notes.

Nine steps in A12 equal temperament on middle C. 3(9/12)=1426.47 cents.

Two-hundred-forty-seventh subharmonic on C = C♯. 256/247 = 61.96 cents.

*Sixty-fifth subharmonic on C = C. Just: 128/65 = 1173.16 cents. Limit: 13-limit. MIDI pitch bend: 52,55

Eleven steps in A12 equal temperament on middle C. 3(11/12)=1743.46 cents.

One step in A12 equal temperament on middle C. 3(1/12)=158.50 cents.

Ten steps in A12 equal temperament on middle C. 3(10/12)=1584.96 cents.

*Eighty-fifth subharmonic on C = A. Just: 128/85 = 708.73 cents. Limit: 17-limit. MIDI pitch bend: 101,66

*Twenty-third subharmonic on C = G♭-. Just: 32/23 = 571.73 cents. Limit: 23-limit. MIDI pitch bend: 121,54

*Ninety-first subharmonic on C = F♯. Just: 128/91 = 590.65 cents. Limit: 13-limit. MIDI pitch bend: 0,61

*Two-hundred-twenty-first subharmonic on C = E♭. Just: 256/221 = 254.52 cents. Limit: 17-limit. MIDI pitch bend: 57,49

*Tridecimal semitone on C. Just: 14:13 = 128.30 cents. Limit: 13-limit. Created in Sibelius with midi pitch bend on 73 for 128.125 cents rather than 128.30. New version a m2 on 7,73 for 128.2958984375 cents rather than 128.30.

Lambda mode diatonic scale in Bohlen-Pierce tuning (Just), in an instrument with only odd harmonics.

Septimal major triad (14,18,21) on C (C,Eㄥ,G).

*Magic temperament major third on C. 31/5 : 1 = 380.39 cents.

German sixth with 6/4 resolution, generated on Sibelius.

*Octave, fourth, and just chromatic semitone/Compound just augmented fourth on C = F♯ (Ben Johnston's notation). 50:18 = 1768.72 cents.

*Diminished fifth tritone (Pythagorean diminished fifth) on C = G♭-. 1024:729 = 588.27 cents. Limit: 3-limit. MIDI pitch bend: 32,92 on P4

Minor ninth augmented fifth chord on C. C E G♯ B♭ D♭.

*Septimal diminished fifth??? on C.  ?/? = 658.50 cents. Limit: 7-limit.

*Eleventh harmonic inverse on C = G↓. 16:11 = 648.68 cents. Limit: 11-limit. MIDI pitch bend: 74,79

Septimal augmented sixth on C. A♭. 1003.8 cents.

Golden ratio approximation: 233 : 144, 833.11 cents.

*Single note of just BP diatonic scale on C = A. Just: 7:3 = 1466.87 cents. Limit: 7-limit.

Prelude in B minor (J. S. Bach, arranged by Siloti), an arrangement of Bach's Prelude in E minor BWV 855a

Perfect octave on D-sharp, as MIDI.

*Difference between 29:16 (B♭) & 9:5 (B♭) on C = C (Ben Johnston's notation). Just: 145 : 144 = 11.98 cents. Limit: 29-limit. MIDI pitch bend: 107,67

*Difference between 31:16 (B: 1145.04 cents) & 15:8 (B: 1088.27 cents) on C = C (Ben Johnston's notation). Just: 31 : 30 = 56.77 cents. Limit: 31-limit. MIDI pitch bend: 21,82 on PU

Octave on C. 1/2: 1200 cents.

Dominant thirteenth: four-voice version. "This disposition is typical." Created by Hyacinth (talk) 18:33, 30 May 2011 (UTC) using Sibelius 5.

Octaves marked middle octave. Created by Hyacinth (talk) 07:54, 3 January 2012 (UTC) using Sibelius 5.

Thirteenth chord CMI7(add13). Created by Hyacinth (talk) 18:56, 4 July 2009 using Sibelius 5.

Octaves marked highest octave. Created by Hyacinth (talk) 07:54, 3 January 2012 (UTC) using Sibelius 5.

Tonic thirteenth chord on F. Created by Hyacinth (talk) 22:14, 1 July 2009 using Sibelius 5.

Thirteenth chord CMA13. Created by Hyacinth (talk) 18:55, 4 July 2009 using Sibelius 5.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top and bottom line and difference tones.

Dominant seventh flat nine chord on C. Created by Hyacinth (talk) 17:06, 10 July 2008 using Sibelius.

*Single note of just BP diatonic scale on C = C'. Just: 3:1 = 1901.96 cents. Limit: 3-limit.

Thirteenth chord based on minor triad. Created by Hyacinth (talk) 13:43, 7 July 2009 using Sibelius 5.

Minor eleventh chord on C. Created by Hyacinth (talk) 15:25, 27 July 2008 in Sibelius.

Voice leading for dominant eleventh chords in the common practice period. Created by Hyacinth (talk) 23:16, 6 July 2009 using Sibelius 5.

Thirteenth chord with flat ninth. Created by Hyacinth (talk) 13:36, 7 July 2009 using Sibelius 5.

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Created by Hyacinth (talk) using Sibelius 5.

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Different voicing for guitar.

Dominant raised ninth flat five chord on C. C E Gb Bb D#.

Seventh augmented eleventh chord on C.

Thirteenth chord C13(b9). Created by Hyacinth (talk) 19:39, 4 July 2009 using Sibelius 5.

Multi-octave F major chord with octaves marked by brackets. Created by Hyacinth (talk) 07:47, 3 January 2012 (UTC) using Sibelius 5.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top line.